
“Behold, the powers of destiny. Beware, the powers of karma.”
Gyeongseong, 1945. In Seoul's grim era under colonial rule, an entrepreneur and a sleuth fight for survival and face a monster born out of human greed.
First Aired: 12/22/2023
Languages: English, Korean
Created by: Kang Eun-kyung
Type: Scripted
Companies: Story & Pictures Media, Studio Dragon, Kakao Entertainment
Countries: South Korea

1945, Gyeongseong South Korea. Jang Tae-sang is a rich man. He is known as the most attractive man around Bukchon in Gyeongseong. He is also a reliable source for information in the area. His talents, including the ability to respond quickly to situations, keen insight and his sociability, have led him to his current position. When he comes into contact with Yoon Chae-ok, he has to reevaluate his priorities as a person.

In 2024 Seoul, fate-bound ties to Gyeongseong unravel when Chae-ok meets Ho-jae, a man with an uncanny resemblance to Tae-sang. What will destiny reveal?
MovieGuys
GyeongSeong Creature is a horror series that taps into a dark aspect of history, not so well known in the West. That is, the Empire of Japans experimentation on human beings. Shockingly a lot of what is referenced in this series, really happened. This bleak platform is used as starting point to craft a Korean horror series, that's reminiscent of Mary Shelly's Frankenstein and any Lovecraftian tale, you care to name. A story that not only exposes the horrors of forced medical experimentation, on human beings but also other dark aspects, of imperialism. Whilst the over riding tale is compelling, I felt the monster/creature effects just didn't come across as all that real, robbing the series of a portion of its impact. Characterisations felt uneven too, with supposedly intelligent, often calculating people, doing inexplicably stupid things. That said, this series remains a generally worthwhile horror watch, for those with a stomach for it. In summary, a reasonable but by no means exceptional series from South Korea, that blends dark aspects of the past with fantasy/horror elements. There is also a dash of social commentary on the price imperialism exacts, from those it oppresses. Worth a look.
Park Seo-jun
Jang Ho-jae
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