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Jeannine Oppewall

Jeannine Oppewall

ArtBorn November 28, 1946 (79 years old)

Uxbridge, Massachusetts, USA

IMDb

Biography

Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry. Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006. Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.

Also known as: Jeannine Claudia Oppewall
Popularity: 0
Total credits: 51

Known For

And the Oscar Goes To...
Movie
★6.8

And the Oscar Goes To...

as Self - Interviewee

Blue Collar
Movie
★7.3

Blue Collar

as Woman with Bicycle (uncredited)

Movies (9)

Remembering Reno: Reflections on the Making of Desert Hearts

Remembering Reno: Reflections on the Making of Desert Hearts

2017

And the Oscar Goes To...

And the Oscar Goes To...

as Self - Interviewee

2014

Casablanca: An Unlikely Classic

Behind the Camera

Catch Me If You Can

Catch Me If You Can

Production Design

Deep Water

Deep Water

Production Design

The Sum of All Fears

The Sum of All Fears

Catch Me If You Can: Behind the Camera
Movie
★7.9

Catch Me If You Can: Behind the Camera

as Self

Whatever You Desire: Making 'L.A. Confidential'
Movie
★8.0

Whatever You Desire: Making 'L.A. Confidential'

as Self

An Old Fashioned Love Story: Making 'The Bridges of Madison County'
Movie
★8.4

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

as Self

No image
Movie
★5.0

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

as Self

No image
Movie
★8.0

The Making of 'Seabiscuit'

as Self

Casablanca: An Unlikely Classic
Movie
★6.5

Casablanca: An Unlikely Classic

as Self

Remembering Reno: Reflections on the Making of Desert Hearts
Movie
★0.0

Remembering Reno: Reflections on the Making of Desert Hearts

And the Oscar Goes To...
Movie
★6.8

And the Oscar Goes To...

as Self - Interviewee

2014

Blue Collar
Movie
★7.3

Blue Collar

as Woman with Bicycle (uncredited)

1978

Catch Me If You Can: Behind the Camera
Movie
★7.9

Catch Me If You Can: Behind the Camera

as Self

2003

Whatever You Desire: Making 'L.A. Confidential'
Movie
★8.0

Whatever You Desire: Making 'L.A. Confidential'

as Self

2008

An Old Fashioned Love Story: Making 'The Bridges of Madison County'
Movie
★8.4

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

as Self

2008

No image
Movie
★5.0

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

as Self

2008

No image
Movie
★8.0

The Making of 'Seabiscuit'

as Self

2004

Casablanca: An Unlikely Classic
Movie
★6.5

Casablanca: An Unlikely Classic

as Self

2012

Remembering Reno: Reflections on the Making of Desert Hearts
Movie
★0.0

Remembering Reno: Reflections on the Making of Desert Hearts

2017

Casablanca: An Unlikely Classic

as Self

2012

No image

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

as Self

2008

Whatever You Desire: Making 'L.A. Confidential'

Whatever You Desire: Making 'L.A. Confidential'

as Self

2008

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

as Self

2008

No image

The Making of 'Seabiscuit'

as Self

2004

Catch Me If You Can: Behind the Camera

Catch Me If You Can: Behind the Camera

as Self

2003

Blue Collar

Blue Collar

as Woman with Bicycle (uncredited)

1978

Remembering Reno: Reflections on the Making of Desert Hearts

Remembering Reno: Reflections on the Making of Desert Hearts

2017

And the Oscar Goes To...

And the Oscar Goes To...

as Self - Interviewee

2014

Casablanca: An Unlikely Classic

Casablanca: An Unlikely Classic

as Self

2012

No image

Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

as Self

2008

Whatever You Desire: Making 'L.A. Confidential'

Whatever You Desire: Making 'L.A. Confidential'

as Self

2008

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

An Old Fashioned Love Story: Making 'The Bridges of Madison County'

as Self

2008

No image

The Making of 'Seabiscuit'

as Self

2004

Catch Me If You Can: Behind the Camera

Catch Me If You Can: Behind the Camera

as Self

2003

Blue Collar

Blue Collar

as Woman with Bicycle (uncredited)

1978

Production Design

Primal Fear

Primal Fear

Production Design

L.A. Confidential

L.A. Confidential

Production Design

School Ties

School Ties

Production Design

White Palace

White Palace

Production Design

The Bridges of Madison County

The Bridges of Madison County

Production Design

The Happening

The Happening

Production Design

Blow Out

Blow Out

Set Designer

Pleasantville

Pleasantville

Production Design

Seabiscuit

Seabiscuit

Production Design

Catch Me If You Can

Catch Me If You Can

Production Design

Deep Water

Deep Water

Production Design

The Sum of All Fears

The Sum of All Fears

Production Design

Primal Fear

Primal Fear

Production Design

L.A. Confidential

L.A. Confidential

Production Design

School Ties

School Ties

Production Design

White Palace

White Palace

Production Design

The Bridges of Madison County

The Bridges of Madison County

Production Design

The Happening

The Happening

Production Design

Blow Out

Blow Out

Set Designer

Pleasantville

Pleasantville

Production Design

Seabiscuit

Seabiscuit

Production Design