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Frank D. Williams

Frank D. Williams

CameraBorn March 20, 1893 (68 years old at death)· Died October 16, 1961

Nashville, Missouri, USA

IMDb

Biography

Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot. Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri. In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays. When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921. While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey. From Wikipedia, the free encyclopedia

Also known as: Frank Douglas Williams, Frank Williams
Popularity: 0
Total credits: 54

Known For

Kid Auto Races at Venice
Movie
★5.6

Kid Auto Races at Venice

as Cameraman (uncredited)

His Prehistoric Past
Movie
★5.6

His Prehistoric Past

as Caveman (uncredited)

Movies (2)

His Prehistoric Past

His Prehistoric Past

as Caveman (uncredited)

1914

Kid Auto Races at Venice

Kid Auto Races at Venice

as Cameraman (uncredited)

1914

His Prehistoric Past

Behind the Camera

The Invisible Man

The Invisible Man

Visual Effects Supervisor

The Butcher Boy

The Butcher Boy

Director of Photography

Sunrise: A Song of Two Humans

Photos

Kid Auto Races at Venice
Movie
★5.6

Kid Auto Races at Venice

as Cameraman (uncredited)

1914

His Prehistoric Past
Movie
★5.6

His Prehistoric Past

as Caveman (uncredited)

1914

His Prehistoric Past

as Caveman (uncredited)

1914

Kid Auto Races at Venice

Kid Auto Races at Venice

as Cameraman (uncredited)

1914

Sunrise: A Song of Two Humans

Special Effects

The Rough House

The Rough House

Director of Photography

Tango Tangles

Tango Tangles

Director of Photography

A Reckless Romeo

A Reckless Romeo

Director of Photography

The Masquerader

The Masquerader

Cinematography

The Vagabond

The Vagabond

Director of Photography

The Knockout

The Knockout

Director of Photography

The Floorwalker

The Floorwalker

Director of Photography

The Rounders

The Rounders

Director of Photography

Getting Acquainted

Getting Acquainted

Director of Photography

The Invisible Man

The Invisible Man

Visual Effects Supervisor

The Butcher Boy

The Butcher Boy

Director of Photography

Sunrise: A Song of Two Humans

Sunrise: A Song of Two Humans

Special Effects

The Rough House

The Rough House

Director of Photography

Tango Tangles

Tango Tangles

Director of Photography

A Reckless Romeo

A Reckless Romeo

Director of Photography

The Masquerader

The Masquerader

Cinematography

The Vagabond

The Vagabond

Director of Photography

The Knockout

The Knockout

Director of Photography

The Floorwalker

The Floorwalker

Director of Photography

The Rounders

The Rounders

Director of Photography

Getting Acquainted

Getting Acquainted

Director of Photography