
Roma, Lazio, Italy
Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà. Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film. Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

as Marina Mari

as Rosa's Mother
1972

as Hilde
1976

as Marina Mari
1945

as Francesca
1946

as Brenda's Mother (uncredited)
1972

as Sister Bianca Homati
1969

as la pazza aggressiva
1975

as Marietta
1948

as La Troisième Parque
1970

as Mama Blue
1973

as Tea
1946

as Princess
1973
as Maria
1975

as Hilde
1976

as la pazza aggressiva
1975

as Maria
1975

1973

as Mama Blue
1973

as Princess
1973

as Rosa's Mother
1972

as Brenda's Mother (uncredited)
1972

as Hortense Dubois - la femme d'Armand
1970

as La Troisième Parque
1970

as Sister Bianca Homati
1969

as signora Macusar
1961

as Marietta
1948

as 'Angelo' Morelli
1947

as Paola
1947

as Francesca
1946

as Tea
1946

as Marina Mari
1945