The French Dispatch of the Liberty, Kansas Evening Sun

I suppose like any newspaper or magazine upon which this compendium effort is based, there are some "articles" more interesting than others - and that's what this offers. Three elongated features form the centrepieces of this somewhat surreal comedy. As you might expect from Wes Anderson, these stories are eclectic, and delivered well by a cast that were well up for their tasks. My favourite of the three features Frances McDormand and Timothée Chalamet offering us some sort of Hemmingway-esque parody of revolution fought over a chess board - with quite humorous results. Humour is a strong feature of this film. I would say comedy, not so much. One has to pay attention to what is going on to get the best from the acting, the script and, as importantly, the imagery which effortlessly mixes monochrome and colour, and which is also bright, vivacious, and frequently just as informative as the dialogue. It does run out of steam at times, the themes could have been a little more compact, and the two side-stories - especially the travel report with Owen Wilson at the top of the film didn't work so well for me. I'm not an huge fan of eccentricity - it is all-too-often just hit or miss, but here we have more hits than not, and with a healthy swipe at journalistic values along the way, a bit of romance and some daft antics from a rogue Benicio del Toro, this is certainly worth watching.

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-world-through-pastel-colored-glasses-the-french-dispatch-review<a> Watching a Wes Anderson movie is a feast for the eyes. Few directors have such a distinct visual language. When you are watching a Wes Anderson movie, the audience knows it’s a Wes Anderson movie. _The French Dispatch_ is no different. It is a series of vignettes from the fictional French foreign bureau of the Liberty, Kansas Evening Sun’s last issue following the death of its editor, Arthur Howitzer Jr. (Bill Murray). Each scene is an extraordinarily detailed still life painting that welcomes the audience to the dreamy French town of Ennui-sur-Blasé. It’s what the world would look like if we were all wearing rose-colored glasses.