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The Tales of Hoffmann

The Tales of Hoffmann

“You Will Never See Anything Finer On The Screen!”

★ 7.1· 1951· 127 min· Popularity 1NR
MusicFantasyRomanceDrama

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.

Rate:
IMDb

Details

Release Date: 4/4/1951

Runtime: 127 minutes

Languages: English

Directors: Michael Powell, Emeric Pressburger

0

Revenue: $2.5M

Production

Companies: Vega Film Productions, The Archers

Countries: United Kingdom

Where to watch · US

Rent:
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Trailer

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The Tale of Olympia in THE TALES OF H...

Cast

Moira Shearer

Moira Shearer

Stella / Olympia

Ludmilla Tchérina

Ludmilla Tchérina

Giulietta

Pamela Brown

Pamela Brown

Niklaus

Gallery

Gallery

Reviews

C

CinemaSerf

★ 7/1012/28/2022

Though I really enjoyed watching this, it isn't really a film at all. Messrs. Powell and Pressburger have elicited the help of the supremely talented Christopher Challis and of the late Jacques Offenbach and basically filmed an augmented theatrical production of his eponymous, uncompleted, opera. They have assembled a curiously effective collection of gloriously clad acting talent - most of whom, aside from the narrator/composer himself in the form of Robert Rounseville, cannot actually sing - and proceeded to present us with something that is really quite beautiful to watch and listen to; but that is really not that different from that which we might see at Covent Garden. It features the landmark P&P colour schemes - vibrant, lively and bold with the use of light and the staging of this three part story all adding up to a delightful watch. If you know the libretto, then you will know this is about a rather down-in-the-dumps poet who is reflecting on his life and the choices his chosen career has forced him to make at the expense of his loves. The ballet dancer "Stella" (Moira Shearer) is his most recent love, but there have been others and all of them have, in some way, fallen foul of Robert Helpmann's excellent "Lindorf". There are some super puppetry effects and the sparing use of visual effects to remind us were are not in the grand circle, but for the most part this is a cleverly crafted and stylishly produced theatrical performance that I enjoyed, but would still have rather seen (and heard on a stage). It's still innovative and imaginative cinema that is well worth seeing, though.

Keywords

operamusicalsurrealismbased on play or musicalanthologyballetautomatonsopranoprima ballerina

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